Number one, the beat generation was the
impetus for rap - in America
But rap goes even further back to the tribe
-- the history of the tribe, musically, and audibly. So this whole
tradition is to keep the history all the way back for thousands of
years, through one person, and he could rap it to you -- for thousands
of years back and tell you whose mother, whose father, who had how
many cows, who lived in what village...
..and it comes to america. The slaves -- the blues came out of the
slaves, gospel, blues -- Jazz came out of all this -- poetry -- they
were looking at whitman, thoreau -- luminaries, yoga
..so the beat generation was trying to be enlightened and the hippie
generation started to do that -- i would tell people that we smoked
pot and took LSD at woodstock to find god -
to find truth -- it may be the wrong way to find it, but we were
trying to find the truth -- rightness
So the beat generation had truth and
introspection. and that's the beatniks coming out. I used to go to the
Minor Key and cup
of socrates and listen to the new york beatnik poets read poetry and
have jazz played behind it -- in the 50s and 60s and
Ginsburg rapping.
Some people are not singing, they're telling
you a story to rhythm. story + rhythm = rap. and you can talk about
your groin or you can talk about you spirit or your heart or love. You
could talk about money or transcendence. So i don't look at rap as
negative just because there are negative gangster rappers. on one
level, those guys are telling the truth about what they see around
them, and on the other level, they want to push your buttons a little,
because the person sitting there in the suit and tie is the one
starting the wars. So I believe the rap shouldn't get a bad rap from
the bad rappers, but that the rap is what ever the person makes it --
if he's negative, he'll rap negative, but if he's positive, he'll rap
positive. |
|