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Monitoring For Mixing |
You are never going to get around the fact that you must be able
to hear the music in order to mix. The speakers and amplifier you
use are going to affect the quality of your mixing, probably much
more than you realize. |
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Attaining The Mixing Goal |
Where are we going with this mix? How do we get there? These and
other questions about the mixing process are explained by Bob.
|
|
Getting Your Head In
The Right Place |
How the stereo mode
of a compressor keeps the stereo image as you wanted it. |
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Using Compression
During Mixing & Mastering |
General guide on
compressing the mix. |
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The Exciting
Compressor |
When a producer
would ask me for an exciter, I would tell them I had something
better - the Exciting Compressor. Every client I used this on was
very impressed and happy with the result. |
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More Magnificent
Mixing Tips Of The Rich And Famous |
This tip is about
when to EQ instruments in the mix and how to really check the
effectiveness of your settings. |
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The Forgotten Equalizer Control |
Using filter
controls rather than parametric equalization in recording &
mixing. |
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Equalizing By The Octave: Low Bass |
An octave approach
to EQ can get the best overall results. This tip covers the low
bass octave. |
|
Equalizing By The
Octave: Bass |
Continuing the
octave approach to EQ, this tip covers the bass octave. |
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Equalizing By The Octave: Lower Midrange |
The Lower Mid Range
can also be used as a "bass-presence" range. |
|
Equalizing By The Octave: Midrange |
You'll find
yourself wanting to lower the energy in this range more than
increasing it, except for low-frequency instruments. |
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Equalizing By The Octave: Upper Midrange |
We call this range
the Attack Frequency Range that greatly affects rhythm instrument
clarity. |
|
Equalizing By The Octave: Presence & Treble |
The Treble and
Presence ranges (from 4 kHz and above) are probably the
most-equalized frequency ranges. |
